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MELLOTRON MYTHS 
PLAUSIBLE? 
        CONFIRMED? 
            
...or BUSTED! 
Not everything you hear about Mellotrons is the truth.  Let's bust a few 
Mellotron myths! 
Do you know of a Mellotron myth that needs to be BUSTED?  Do you have 
more information for me about any of these myths?  Drop me a 
note! 
  
    | Mellotrons were invented in England. Plausible?  
    Confirmed?  ...or BUSTED! 
    Mellotrons were invented by Harry Chamberlin of the US.  Two 
    Chamberlins were flown over to the UK and disassembled to serve as the basis 
    of the Mellotron Mark I design.  Eventually Harry and the folks 
    producing Mellotrons came to an agreement, and a sum of money was paid to 
    Harry as royalties for his designs and patents.  Myth BUSTED!  | 
   
  
    | Mellotrons use tape loops. Plausible?  
    Confirmed?  ...or BUSTED! 
    Most Mellotrons use strips of tape.  I say "most" because 
    Tangerine Dream had a specially modified M400 where they removed the frame 
    and welded the tape rollers from the frame to the underside of the keyboard 
    area.  This allowed Edgar Froese to wrap his tape strips around into a 
    loop so they would play continuously.  However there was a thump when 
    the tape splice came around, which effects were used to hide.  Let's 
    call this myth BUSTED but known to happen in one special case.  | 
   
  
    | Mellotrons are often used for animals. Plausible?  Confirmed?  ...or BUSTED! 
    Mellotrons have been found in various states over the years.  The 
    Mellotron owned by Spring, an early 70s prog outfit, found its way into a 
    barn and was lived in by chickens for years.  Believe it or not, 
    Streetly was able to restore the machine to working order.  My own 
    #1037 had some motor trouble 
    and was retired to a basement for a decade where scores of mice took it 
    over.  It, too, is in working order now.  Myth CONFIRMED, and I'll 
    be glad to send you a Hoover full of mice-rice to prove it.  
     Equally as disgusting:  Although unconfirmed, one source said that Bobby 
    Goldsboro's Mellotron was used by his ex-wife as a diaper hamper--apparently 
    it was a messy divorce in more ways than one.  | 
   
  
    | Mellotrons are often used by animals. Plausible?  Confirmed?  ...or BUSTED! 
    You decide.  :-) 
    
      
    Click here 
    for a 476KB Windows Media file.  | 
   
  
    | The new style Mellotron tape frame from Mellotron 
    Archives will not fit into M400-style machines or a Mark V. Plausible?  Confirmed?  
    ...or BUSTED! 
    So you have a Mark V and would like to order a tape frame from Mellotron 
    Archives.  Or you have an old M400 series machine.  But everyone says that the tape frame won't fit.  
    'Tronbusters busts the myth.  COMING SOON.  | 
   
  
    | Mellotrons are unreliable and prone to breaking down. 
    Plausible?  Confirmed?  ...or BUSTED! 
    Several things have given Mellotrons a bad name: 
    
      - Horror shows due to cycling issues in the Mark I/II and M300 series 
      machines.  Cycling mechanisms are complex, and, yes, they break down 
      sometimes and result in "spaghettification".
 
      - The CMC-10 motor controllers in the M400 units were horrible at 
      keeping pitch and introduced noise into the audio path.
 
      - Need for maintenance and adjustment.
 
     
    The truth is that anything mechanical needs looking after.  If your 
    car doesn't get its regular maintenance, what eventually happens?  The Mellotron was no more prone to breaking down than anything else, but it did 
    require some fiddling now and then to get it right.  You didn't tour 
    with a Mark I/II or M300.  If you did, you got what you got.  For 
    the M400 you replaced the CMC board and took care of the regular 
    adjustments. 
    Mellotrons have been around since the early 60s.  The remaining 
    cycling machines, when restored by competent techs, will last another 
    several decades.  The M400s are still humming along, and replacement 
    parts are available.  They're simpler boxes better suited for touring. 
    Duncan Goddard of Radio Massacre International regularly plays and tours 
    with his M400.  Click 
    here for 
    Duncan's thoughts on Mellotron reliability.  You might be surprised. 
    I'll mark this one as PLAUSIBLE, but realize there are things you can do 
    to increase reliability!  | 
   
  
    | Emerson, Lake, and Palmer never used a Mellotron. 
    Plausible?  Confirmed?  ...or BUSTED! 
    Unconfirmed:  Stories have it that Emo had one and got ready to use it on stage, and it broke down nearly 
    right away.  ELP never touched it again.  So I understand that they did 
    have one, 
    but they didn't have a very good experience with it... So much for 
    reliability.  :-)  (Well, it was an old CMC-10 motor controller...feh!)  | 
   
  
    | Rick Wakeman preferred his Mellotrons well done. 
    Plausible?  Confirmed?  ...or BUSTED! 
    Apparently in a BBC interview in 1998 Mr. Wakeman admitted to taking the 
    two Mellotrons he'd used for years and in a fit of (undoubtedly drunken) 
    frustration brought them out to a field, poured gasoline on them, and had a 
    bonfire.  Call this one CONFIRMED. 
    Meanwhile Rick's double-'tron---essentially two M400s on a homemade frame 
    in a homemade case---has been saved from the dump and has been (or is being) 
    restored.  Last I saw it the thing was an electrical nightmare, but I 
    guess that is being worked out (or has been by now).  It's owned now by 
    Mellotronist Chris Dale.  | 
   
  
    | You can't get parts or tapes for Mellotrons. 
    Plausible?  Confirmed?  ...or BUSTED! 
    Streetly has brand new 
    motors, tape frames, and tapes, and they will be building new machines (if 
    they aren't already).  Mellotron 
    Archives has all manner of Mellotron parts and tapes, and they have 
    been making machines for several years now.  This myth is BUSTED!  | 
   
  
    | The Mellotron tape selection is limited. 
    Plausible?  Confirmed?  ...or BUSTED! 
    Mellotron Archives has remastered its tapes of the familiar 'tron sounds 
    and can get you a set no problem.  Streetly has a large collection of 
    Mellotron sounds including newly recorded sounds.  BUSTED!  | 
   
  
    | Mellotron samples are the same as the real thing. 
    Plausible?  Confirmed?   ...or BUSTED! 
    You can argue all day long whether samples of a Mellotron sound like the 
    real thing or not, or whether you'd notice, or whatever.  The truth is 
    the electronics and mechanics of the Mellotron affect the sound, something 
    that's not going to happen in a sampler.  A chord in a Mellotron, for 
    example, will have sound playing from several tape heads wired in series and 
    run through a preamp.  The result is a slightly distorted, compressed 
    sound.  A sampler combines digital data.  The Mellotron's tape 
    path mechanicals also affect how the instrument is played and how the tapes 
    sound, adding in bits of wobblies or pitch variance.  This won't happen 
    in a sampler.  | 
   
  
    | Because they were hand made, every Mellotron is 
    different. Plausible?  Confirmed?  ...or BUSTED! 
    CONFIRMED after playing many of these.  Each Mellotron has its own 
    feel and playability.  #805 is a bit tough to play, has some squeaky 
    notes, and can be a bear in humid weather.  #1037 is a smoother 
    machine.  The Mark I/II/M300 series machines have their keyboards tied 
    directly to the tape transport chassis, and the keyboards feel a little more 
    Hammond-like and are easier to play than the M400's removable keyboards.  
    Some Mellotrons want to be played fast, some not.  The playability 
    depends a lot on who did the key adjustment.  I adjust things to be 
    light, others prefer the "standard" Mellotron key adjustments.  And, of 
    course, you can have the staggered pressure pad adjustment screw placement 
    modification done to your machine if you wish.  I know of one case 
    where someone purchased a refurbished machine and one straight from a 
    studio, and although both played fine, he kept the studio one because he 
    felt it played better.  These things are all over the place.  | 
   
  
    | The Mellotron FX Console was used for sound effects in 
    the BBC series "Dr. Who". Plausible?  Confirmed?  ...or 
    BUSTED! 
    Most reports call this one BUSTED.  The Beeb had several FX Consoles 
    (painted in battleship gray), but these were supposedly not used to create 
    the sound effects for "Dr. Who". 
    Other resources, of course, say the Mark II FX Console was certainly used 
    by the BBC for the "Dr. Who" sound effects. 
    Unconfirmed.  | 
   
  
    | There's nobody who can fix Mellotrons anymore. 
    Plausible?  Confirmed?  ...or BUSTED! 
    Let's see...In the eastern US alone you have one guy who can do the 
    basics (that would be me :-) ), one guy who can do that and refinishing work 
    (Frank Stickle), the Streetly East Coast Rep (Jimmy "Moto" Moore), and one 
    guy who can rebuild any Mellotron you throw at him (Mellotron Professor 
    Jerry Korb).  There's a Streetly rep on the US west coast, too, who can 
    repair machines.  In Europe Markus of Mellotron Archives can set you 
    right, and Streetly always has a line of machines in for refurbishing at 
    their UK location. 
    If you visit the 
    Mellotronists 
    YahooGroup, you'll find someone who can help. 
    This myth is totally BUSTED.  | 
   
  
    | EMI-made Mellotron M400s were inferior to their Streetly-made 
    counterparts. Plausible?  Confirmed?  ...or BUSTED! 
    British corporation EMI ordered some Mellotron M400 guts from the 
    Streetly factory and assembled them into cases of their own design.  
    Often the cases were painted white, which is a shame, as the wood has a nice 
    mahogany finish, so the EMI machines that weren't painted are really 
    stunning. 
    Mechanically, though, well...OK, EMI didn't have all the squaring jigs 
    and didn't have any experience building these.  Martin at Streetly told 
    me the motors used were suspect as well.  So EMI machines are prone to 
    being very hard to adjust, and never seem to play right.  The only way 
    to fix them, according to the experts, is to rebuild them---take them to 
    pieces, square everything up, and reassemble.  Then they're right as 
    rain. 
    You may want to see my experience 
    with one as well as 
    Norm Leete's EMI 
    machine. 
    Unfortunately this is CONFIRMED.  | 
   
  
    | "Sound Sales" Mellotron modifications are vast 
    improvements on the Mellotron M400. Plausible?  Confirmed?  
    ...or BUSTED! 
    TOTALLY BUSTED!  Sound sales bodges...uhhh, modifications...include: 
    
        | SMS3 motor controller (this was the only GOOD thing they did, 
      replacing the CMC-10) |  
        | Rollers under the keyboard to hold the head block down (unnecessary; 
      made track selection harder, pushed the keyboard up) |  
        | Changed the way the tape take up box was mounted---made it fixed 
      instead of floating.  This was probably done for those people who 
      toured a lot in an attempt to keep the take up box from shifting.  
      Probably not necessary, as the take up box is tied at the bottom, and the 
      wedges originally there could be used to adjust the take up box a little. |  
        | Bending the pressure pads to get the best sound possible.  This 
      really screwed the machine.  Pressure pads should be straight.  
      There are ways to adjust pressure pads, and the tape head azimuth is 
      adjustable, too.  You don't need to destroy the playability of the 
      machine to do it! |  
     
    With the exception of the CMC-10 replacement these modifications are not 
    necessary and an be harmful.  | 
   
  
    | You can't mix tracks on new tapes, as there is too much 
    of a gap between the A/B and B/C tracks. Plausible?  Confirmed?  
    ...or BUSTED! 
    The original tape cutting machine, the Mothertron, was made years ago 
    when tape heads weren't as precise as they are today.  Therefore the 
    tracks were a bit wider and had a bit of bleed, meaning you could mix 
    adjacent tape tracks on the Mellotron without much loss in volume. 
    Tapes produced after the Mothertron was retired to a museum had a bit of 
    a gap between adjacent tracks, so the mixing of adjacent tracks was not as 
    full as in older tapes.  This gap is especially troublesome in the Mark 
    I/II/M300 series of machines.  The Mark I/II track selection is very 
    much like an old radio, and it's hard to adjust.  The M300 is 
    electronic.  (For comparison, the M400 has a manual track select with 
    detents that wear over time, meaning you can put the tape heads almost 
    anywhere you want on the tapes.) 
    Starting around 2003 Mellotron Archives created a machine capable of 
    producing tapes similar to the old style, so mixing is again possible.  
    In 2005 Streetly has done the same.  Therefore it will be easier to mix 
    adjacent tracks from now on. 
    This myth is CONFIRMED for tape sets made from the 80s through the early 
    2000s.  Is is now BUSTED.  | 
   
  
    | An engine hoist is recommended when working on a 
    Mellotron. Plausible?  Confirmed?  ...or BUSTED! 
      
    I believe you have your answer. 
    Photo - Jerry Korb, working on Mellotron Mark II 
    #210...Click here for more...  | 
   
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